Critical systems and their melting points 2026
Sound performance for extended electronics
like avalanches that start from a shout, or revolutions that start from a song

Critical systems follows upon the research of circuits of extended phenotype - fragile and sensitive, "soft" electronic instruments and elemental techniques of playing with them (see also: Elemental encounters and Rehydration).
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The performance focuses upon points of criticality – unstable and liminal, energetically charged states, on the brink of transition to something else. Addressing sound as a force, impacting lives and matter on multitude of scales, performance questions how even the slightest activation can destabilize the system - tip the scales towards a pronounced release: Like avalanches that start from a shout, or revolutions that start from a song.
In the performance, the instruments of extended phenotype are pushed to and beyond their points of criticality. Throughout different showings, for instrument preparations I tend to use to what's locally or temporally available: ice, flame/torch, heat, plants a variety of liquids. Feedbacks are also playing a more major role through introduction of external tweeters as well as reactive light - both which have micro influences and leaks into the sensitive sound circuits.
was performed at:
Oscillations, Brussels, 2026
Klang, Copenhagen, 2026
Proginฤ, Vilnius, 2026
Method: Sound and Silence, Vilnius, 2026
Fanfulla, Rome, 2026
Spettro, Brescia 2026
Riforma, Torino 2026
NMZC Ruhr, Essen, 2026
Sinkhole the Beautiful, Lithuania, 2026
Esquise, Brussels, 2026
from Method: Sound and Silence, 2026
from Method: Sound and Silence, doc. by Ugnฤ Steponaviฤiลซtฤ, Vilnius 2026
Chemical reaction activation energy w catalyst chart


from Method: Sound and Silence, doc. by U. Steponaviฤiลซtฤ, Vilnius 2026
from Wide Mesh, doc. by Francesco Fonassi, Torino 2026

